tag:blogger.com,1999:blog-187739442024-03-07T21:13:34.392-05:00Rumos e letrasFatos e imagens relacionados ao meu trabalho editorial.Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.comBlogger571125tag:blogger.com,1999:blog-18773944.post-2796246727328719532020-10-27T19:52:00.005-05:002020-10-27T19:52:44.731-05:00Valores ilustrações e design, tabela Adegraf 2020<p> <span style="background-color: #fafafa; color: #333333; font-family: "Helvetica Neue Light", HelveticaNeue-Light, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; text-align: justify;">De tempos em tempos devemos dar uma olhada na tabela da</span><span style="background-color: #fafafa; color: #333333; font-family: "Helvetica Neue Light", HelveticaNeue-Light, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; text-align: justify;"> </span><a class="" href="http://adegraf.org.br/wp-content/uploads/2018/12/tabela_adegraf_2019_2020.pdf" style="color: #009eb8; display: inline; font-family: "Helvetica Neue Light", HelveticaNeue-Light, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; outline: none; text-align: justify; text-decoration-line: none; transition: color 0.3s ease 0s;" target="_blank">Adegraf</a><span style="background-color: #fafafa; color: #333333; font-family: "Helvetica Neue Light", HelveticaNeue-Light, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; text-align: justify;">.</span></p><p style="background-color: #fafafa; color: #333333; font-family: "Helvetica Neue Light", HelveticaNeue-Light, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 1em 0px; outline: none; padding: 0px; text-align: justify;">No momento é a melhor a nossa disposição. Importante lembrar sempre, e a Adegraf também avisa, de que estes valores são médias e NÃO invalidam ou sequer alteram o fato de que o uso de criação artística, a chamada propriedade intelectual, é regulada em nosso e outros países signatários da Convenção de Berna, pela LEI DOS DIREITOS AUTORAIS. Então antes de precificar sua arte ou seu projeto, leia aqui no meu blog os artigos sob as tags DIREITOS AUTORAIS e CONTRATOS. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCgKy94nfSX5XDrxoLEH7VXOpyM95M-MiBJd0e5TJDSFC6egKS0x7aHpugE6BDGRg-8aLMR7nh-igD7u_SeFK-LtEyRdpsAk_QWosAI2XPBouiH3WChG9D85CHVfCj6u8Ha41zuw/s1755/Captura+de+Tela+2020-10-27+a%25CC%2580s+14.12.01.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1001" data-original-width="1755" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCgKy94nfSX5XDrxoLEH7VXOpyM95M-MiBJd0e5TJDSFC6egKS0x7aHpugE6BDGRg-8aLMR7nh-igD7u_SeFK-LtEyRdpsAk_QWosAI2XPBouiH3WChG9D85CHVfCj6u8Ha41zuw/s320/Captura+de+Tela+2020-10-27+a%25CC%2580s+14.12.01.png" width="320" /></a></div><br /><p></p>Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-60901410296314117372020-07-12T03:41:00.004-05:002021-05-24T10:11:31.863-05:00HQ/BD: As Sarauzeiras Oníricas no Sarau Estação 67 (BETA)<div class="separator" style="clear: both; text-align: center;">
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<span face=""verdana" , sans-serif">Acima as primeiras páginas do álbum de quadrinhos. Acesse completo em <a href="https://issuu.com/thaisqlinhares/docs/co_pia_de_01_hq_sarau_67_rev_bianca" target="_blank">HQuebradas: As Sarauzeiras Oníricas no Sarau Estação 67.</a></span><br /><br />
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0R. Adonai, 24 - Sepetiba, Rio de Janeiro - RJ, 23530-030, Brazil-22.9687532 -43.6902475-26.6508172 -48.853821499999995 -19.286689199999998 -38.5266735tag:blogger.com,1999:blog-18773944.post-43665268951549090942020-07-11T04:53:00.003-05:002020-07-11T04:55:24.412-05:00Educação Sentimental – Amor é tranquila confiança<div class="" data-block="true" data-editor="dgpi3" data-offset-key="390lm-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="390lm-0-0" style="font-family: inherit;">O que irei escrever aqui não é um julgamento sobre as pessoas que sofreram abusos. </span></div>
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<span data-offset-key="86pfm-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="d3h0m-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="d3h0m-0-0" style="font-family: inherit;">Eu farei um pequena observação sobre criar filhos, disparada pelo anúncio de que o terceiro escolhido pra ministro da educação bolsonarista tem como estratégia didática a dor, ou sem eufemismos: covardemente torturar indefesos, uma pedagogia Ustra. </span></div>
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<span data-offset-key="18i2m-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="463cp-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="463cp-0-0" style="font-family: inherit;">Temo só de pensar quem determinará os limites das violações sobre as crianças. Alguém como o pai do menino Bernardo? – Veja em: https://pt.wikipedia.org/wiki/Caso_Bernardo_Boldrini.</span></div>
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<span data-offset-key="a8spv-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="71pad-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="71pad-0-0" style="font-family: inherit;">Em meu universo de convivência – que é circulando entre algumas bolhas bem distintas – eu vi pessoas seguras e bem resolvidas emocionalmente. Estas pessoas, via de regra, vinham de famílias onde o respeito mútuo é prática banal. Aliada a um fluxo livre de afeto e proteção. E, mais uma vez, a proteção jamais viola os limites do respeito. Darei exemplos mais adiante aqui no texto. </span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="4fs2l-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="4fs2l-0-0" style="font-family: inherit;">Nestas famílias não se usa a dor, o medo e a violência como forma de educar. Há constância no cuidado. É previsível para a criança que elas achará segurança emocional e física, mesmo quando errar, as muitas vezes que precisará errar, pra aprender. </span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="jcjo-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="jcjo-0-0" style="font-family: inherit;">Não se usa o erro/acerto como moeda de troca pra o amor dos pais. O medo, no caso, é ligado a consequência real do erro, e não a uma punição que inibe novos aprendizados.</span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="c6bpd-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="c6bpd-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="6jg2f-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="6jg2f-0-0" style="font-family: inherit;">Eu vi pessoas inseguras, reativas, muito mal resolvidas emocionalmente. Aqui, o comum é ter vindo de uma família onde a violação de limites, a violência física e moral (humilhar, culpar, chantagem emocional, abandono e negação das necessidades) é a regra. Os filhos são cobrados como que devendo às vontades dos pais, e ensinados a não focarem no que eles realmente querem, ao ponto de sequer terem a chance de entrar em contato com os próprios sentimentos. Ou viram apáticos, ou abusadores (dois lados da mesma moeda de quem teve o ego detonado em família).</span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="ej03a-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="ej03a-0-0" style="font-family: inherit;">Os pais e professores que educam violando uma criança, estão ensinando a ela que é "bom" violar e o que é mais trágico: que Amor tem cara de dor, solidão moral, medo e agressão. </span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="fft5s-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="fft5s-0-0" style="font-family: inherit;">Imagina então o que será a vida pessoal e profissional deste cidadão. Imagina que tipo de político ele votará pra cuidar de seus direitos, se esse cidadão sequer aprendeu que tem direito natural a estar bem, em paz e sem medo?</span></div>
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<span data-offset-key="e4hih-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="fq501-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="fq501-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="fq501-0-0" style="font-family: inherit;">E eu vi algo que me dá arrepios (bons) só que pensar aqui. Vi pessoas que apesar de terem sobrevivido a uma rotina de extremo abuso, dor e violações em sua infância, conseguiram os meios de compreender o que estava acontecendo, e se reconstruir, se tornando, sem dúvida, pessoas mais que especiais: pessoas que tendo sofrido os piores danos, hoje se tornaram muito sensíveis e conscientes das fragilidades humanas e de como podemos e devemos respeitá-las e protege-las. Tenho amigas e amigos assim. E como os amo e admiro. Tento ser como elas e eles, dentro de meus limites que são modestos.</span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="6qlsu-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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<span data-offset-key="6qlsu-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="bh3u0-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="bh3u0-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="bh3u0-0-0" style="font-family: inherit;">Tenho um profundo amor por estas pessoas – tendo superado ou não.</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="1pj47-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="1pj47-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="1pj47-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="d61oo-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="d61oo-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="d61oo-0-0" style="font-family: inherit;">E como prometi lá no topo, exemplos, ainda "leves" de violações de limites na educação das crianças:</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="d6sae-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="d6sae-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="d6sae-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="426di-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="426di-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="426di-0-0" style="font-family: inherit;">– ler seu diário / mensagens privadas / invadir sua privacidade</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="e8g5m-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="e8g5m-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="e8g5m-0-0" style="font-family: inherit;">– forçar a barra pra que se vista e use cabelo de acordo com o gosto dos cuidadores (deixe o punk/emo/que seja, em paz!)</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="4830p-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="4830p-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="4830p-0-0" style="font-family: inherit;">– não respeitar os interesses, curiosidades, escolhas pessoais, fazendo piada, desmerecendo</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="aampm-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="aampm-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="aampm-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="7sn7d-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="7sn7d-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="7sn7d-0-0" style="font-family: inherit;">Tem mais. Mas agora vou colocar aqui exemplos de boas práticas:</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="e3bnq-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="e3bnq-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="e3bnq-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="6ig0r-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="6ig0r-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="6ig0r-0-0" style="font-family: inherit;">– unir discurso e prática. Dê o exemplo do que considera legal aplicando. Quer que estudem? Seja estudioso, e se essa não é sua prática, seja dedicado aquilo de bom que vc faz: seu trabalho, seu projeto, suas amizades, seu cuidado pessoal com alimentação, higiene, organização</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="8pqs2-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="8pqs2-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="8pqs2-0-0" style="font-family: inherit;">– seja atencioso. Pare o que está fazendo e escute a criança, ajude, e se não puder ajudar por estar acima de seus poderes, seja claro e honesto sobre isso também, e busque a melhor forma de resolver. Gosto do lema: "façamos o melhor possível com aquilo que temos"</span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="7hi2m-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="7hi2m-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="7hi2m-0-0" style="font-family: inherit;">– seja aberto pra conhecer o universo das vivências delas. Que artistas gostam, seus jogos, amigas e amigos, livros e gibis amados. Garanto que vai se amarrar. Muita arte sensacional é feita hoje em dia. Não seja o chato do: "antigamente era melhor...blábláblá!"Seja o bacana que divide com elas suas referências. A meninada se amarra em bandas dos anos 90, filmes do 80 e HQs dos 60! </span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="71thn-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="71thn-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="71thn-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="5p468-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="5p468-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="5p468-0-0" style="font-family: inherit;">Devemos sempre proteger as crianças.</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="cu7p5-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="cu7p5-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="cu7p5-0-0" style="font-family: inherit;">Mas ninguém nasce sabendo. </span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="7o4e7-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="7o4e7-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="7o4e7-0-0" style="font-family: inherit;">Podemos aprender, </span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="bv0kc-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="bv0kc-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="bv0kc-0-0" style="font-family: inherit;">com calma.</span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="7c3f7-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="7c3f7-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="7c3f7-0-0" style="font-family: inherit;"><br data-text="true" /></span></div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="dtj3-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="dtj3-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="dtj3-0-0" style="font-family: inherit;">Querem completar com suas ideias?</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="8d3lj-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="8d3lj-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="8d3lj-0-0" style="font-family: inherit;">Como imagina que é a forma ideal de cuidar das crianças?</span></div>
</div>
<div class="" data-block="true" data-editor="dgpi3" data-offset-key="dtrlu-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
<div class="_1mf _1mj" data-offset-key="dtrlu-0-0" style="direction: ltr; font-family: inherit; position: relative;">
<span data-offset-key="dtrlu-0-0" style="font-family: inherit;">Quero aprender.</span></div>
</div>
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<div class="" data-block="true" data-editor="dgpi3" data-offset-key="470ue-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; white-space: pre-wrap;">
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com011100 Narbonne, France43.184277 3.00307842.9989225 2.6803545 43.369631500000004 3.3258015tag:blogger.com,1999:blog-18773944.post-1783190611862088662020-05-22T17:02:00.001-05:002020-05-22T17:03:46.546-05:00FLUP: artes para as LIVES da Revolução Carolina, FLUP 2020!<div class="separator" style="clear: both; text-align: center;">
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Cenas das pequenas vinhetas animadas em time-lapse que fiz para as LIVES da <a href="https://www.facebook.com/FlupRJ/" target="_blank">FLUP</a> de 2020!</div>
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-17375943252978565132019-08-16T15:20:00.000-05:002019-08-16T15:20:50.803-05:00HQ Para além <div class="separator" style="clear: both; text-align: center;">
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-53264453346906758202019-08-12T08:34:00.000-05:002019-08-12T09:06:00.708-05:00Dicas de comunicação em rede<div class="" data-block="true" data-editor="9dtmj" data-offset-key="fp72k-0-0" style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">
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<span data-offset-key="ai5t8-0-0" style="font-family: inherit;">(1) Compartilhe as boas iniciativas e trabalhos de seus colegas, PRINCIPALMENTE se você é aquela pessoa que pede pra compartilhar o seu. </span></div>
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<span data-offset-key="33vto-0-0" style="font-family: inherit;">2) Coloque PÚBLICA a postagem de divulgação de seu curso, livro, negócio, arte, evento. Vejo pessoas esquecendo de libertar a postagem dos limites do menu de compartilhamento do Facebook. E vejo muito. Lembre também que aquilo que você divulga em grupos fechados não dá pra compartilhar. Se quiser, coloque junto um link de compartilhamento com pequeno texto: "Quem quiser pode compartilhar copiando e colando esse link...".</span></div>
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-82162285200289012632019-07-10T13:36:00.001-05:002019-07-10T13:36:28.985-05:00Oficina de Zines no FESTIVAL SESC de INVERNO en TRÊS RIOS<span style="background-color: white; color: #1c1e21; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px;">Dia 20 e 21 de julho, estarei em Três Rios para oficina de fanzines e <a href="http://www.festivalsescdeinverno.com.br/" target="_blank">atividades bombásticas na noite!</a> É pra aquecer o coração.</span><a data-ft="{"tn":"-U"}" data-lynx-mode="async" data-lynx-uri="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.festivalsescdeinverno.com.br%2F%3Ffbclid%3DIwAR2X0XIbhOilDcbdflttNlWZcwgRf6Ati8ZHBj5Hs2wxwelSj48VfByjaZ4&h=AT3VuX0WGgFKsC9RYsJTA-0IclCOECw6ZVWKYxkFC0qyRoz77d8qAPUcDlHp3cRJ6taipw27CgkSYwg1BPywJPzWeDaH6FJsePlon060P78-obGAkl9_A0sIMG_UqcDIkJhJpJ2Z9MqcJd8hXhCzQwzYUb41GIHNyyOPsSJ9PKHZHYS2dYD7yRjblZ3fN6MjV0jJ-QVyUXISkKhLSD7GMrv7rRsVvocyFhidNrT6dz_KWXsF9EPP5HSLPwZuaQIXTdQcH7MRUXnToGanldOmityUiuDNT9se-Gj48vuWf4UlyAUwPBXzAJ6nX3x16ZuNDM-PfM5eegXdjB2LnabLxYqoe4sdEoyHnLCYN5jsmQOO5eMZvX3phqICf3C7COscPLlrZTZgaySWsCQ5j7fU7xUThIAc72koGBzCi_3F-QyBi9-jMNmpp1Fn9H3xqS7Z0U-CljKORId72PVF40Hpd6X60HQHrWnLVEiz7GTjz13u_5iCwSAtPkXiyNkAJPxmcY6lJRUw2ovN14GQ7tsa-HTlvVZOnAVn8bKojb7c1S2LvmnupNiFhST7ccPhqA2LHF3GjDi2Hssjv37CmKhG2sQytnIhqasteG2RH8ZTaAnNtQ" href="http://www.festivalsescdeinverno.com.br/?fbclid=IwAR2X0XIbhOilDcbdflttNlWZcwgRf6Ati8ZHBj5Hs2wxwelSj48VfByjaZ4" rel="noopener nofollow" style="background-color: white; color: #385898; cursor: pointer; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; text-decoration-line: none;" target="_blank"></a><br />
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com01705, 1719 E Carson St, Pittsburgh, PA 15203, United States40.4289146 -79.98111010000002414.906880099999999 -121.28970410000002 65.9509491 -38.672516100000024tag:blogger.com,1999:blog-18773944.post-81707074589829775222019-05-24T12:33:00.002-05:002019-05-24T12:36:40.118-05:00As SEREIAS da Gamboa<div class="separator" style="clear: both; text-align: center;">
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-79396615567761782992019-05-03T13:45:00.000-05:002019-05-03T20:13:55.643-05:00Por dentro da HQ! – oficina de produção de histórias em quadrinhos<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>OFICINA POR DENTRO DA HQ!</b></span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>SESC João Pessoa/PB, de 6 a 10 de maio de 2019 – Se inscreva <a href="http://www.sescpb.com.br/2016/index.php/component/k2/item/784-thais-quintella-abre-segunda-etapa-do-projeto-arte-da-palavra-na-capital" target="_blank">AQUI!</a></b></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Bibliografia, videografia e referências:</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><a href="https://www.youtube.com/watch?v=UzTKQVohFXI&list=PL3ZWOg4uhlIuN8Q1wnmmvs3jU-Z4u2WrI&index=2" target="_blank">Joseph Campbell e o Poder do Mito</a></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Grade de decupagem formato "americano" </span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(usado originalmente na oficina de quadrinhos da ASVI </span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">na Cidade de Deus, bairro do Rio de Janeiro):</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Grade de decupagem formato "Instagram"usado originalmente no projeto HQuebradas – As Sarauzeiras Oníricas, de Thais Linhares, Maria Inês, Lindacy Fidelis de Menezes e Yolanda Soares.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Modelo de storyboard, de Thais Linhares.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Caricatura da professora, por William Côgo:</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Artigo interessante sobre a <a href="https://thewritelife.com/worldbuilding/" target="_blank">CONSTRUÇÃO DE MUNDO</a> (em inglês).</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Texto inspirador sobre a <a href="https://www.brainpickings.org/2019/02/12/iris-murdoch-salvation-by-words/?fbclid=IwAR05HPVqNu3sQST3otLPSYvyt1VIeR0VImmrEQu21hbhTTZ1-laA0aQHif4" target="_blank">arte como ação anti-tiranias</a>.</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">As primeiras edições desta oficina foram:</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">– na ASVI da Cidade de Deus, Rio de Janeiro;</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">– no SESC de Paraty/RJ;</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">– no Solar Meninos de Luz, morro do Pavão-Pavãozinho, Rio de Janeiro;</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">– Grupo de Estudos de Quadrinhos (GEDQ) na Mediatèque da Maison de France, Consulado Francês do Rio de Janeiro;</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>Acontecendo: SESC João Pessoa/PB, de 6 a 10 de maio de 2019 – se inscreva <a href="http://www.sescpb.com.br/2016/index.php/component/k2/item/784-thais-quintella-abre-segunda-etapa-do-projeto-arte-da-palavra-na-capital" target="_blank">AQUI!</a></b></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Próximas edições serão:</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">– no SESC GoianiaGO e SESC Terezina/PI.</span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(atualizado em 4 de maio de 2019)</span><br />
<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0João Pessoa, State of Paraíba, Brazil-7.1194957999999993 -34.845011800000009-7.3715802999999989 -35.167735300000011 -6.8674113 -34.522288300000007tag:blogger.com,1999:blog-18773944.post-29520907499891187822019-04-11T06:55:00.003-05:002019-04-11T06:55:57.693-05:00PRIVILÉGIOS SÃO ANTOLHOS<div style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; margin-bottom: 6px;">
RESPOSTA AO COLEGA CHARGISTA QUE RECLAMOU DE ATENTADO À "LIBERDADE DE EXPRESSÃO" NA CONDENAÇÃO DO DITO "HUMORISTA", ele disse ser um "precedente perigoso" que seria usado para impedir que gozasse do presidente.</div>
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Mulheres são vítimas de violência estrutural, homens brancos em cargo de presidência não. Há séculos convivemos com um "precedente perigoso" de ser ok nos massacrar em piadas, assédios, surras e culpabilização até mesmo quando somos estupradas e mortas. Sacou a diferen<span class="text_exposed_show" style="display: inline; font-family: inherit;">ça?</span></div>
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Se um humorista fizesse uma charge de conotação sexual tendo vc (macho, branco, heterossexual) como alvo, é bem diferente o grau de agressão do que se fosse com sua filha. Porque em nossa sociedade há uma conotação de usar sexo como agressão contra as mulheres que não existe contra os homens, e quando há, é justamente os "rebaixando" à condição de "mulherzinha".</div>
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Ver um homem branco, hetero, ser punido por seu machismo virulento é um alívio para mim, espero que seja didático a outros que ganham a vida atiçando ódio a vulneráveis como ele faz.</div>
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(PS. O chargista em questão ganhou fama e dinheiro com humor machista e com uma liberdade em explorar pornografia que nós mulheres JAMAIS tivemos. Privilégios são antolhos...)</div>
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-7814915400340394482019-03-13T20:50:00.001-05:002019-03-13T20:56:13.606-05:00Galeria: 1822 – A verdadeira História da Independência do Brasil – por Laurentino Gomes<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px;">Ilustrações que fiz para o livro sobre a verdadeira história da Independência do Brasil. Você é capaz de reconhecer as personagens deste drama?</span></div>
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-75768326156109600442019-03-04T11:01:00.000-05:002019-03-04T11:01:07.013-05:00Aquarela para Marielle Franco<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgstlTsiOTsjv1gApT3R4bYIT6z5fGoUHp6AEu4CT17GvSjzvz_23m4n8rhl9c842j5sXaNx1DUJxnFXdHPsIu0yW67gwg4As4mG6YLmWQoIa5LGtci7qFYvRfRrBTZfJNi1au3bw/s1600/Marielle+01+la%25CC%2581pis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgstlTsiOTsjv1gApT3R4bYIT6z5fGoUHp6AEu4CT17GvSjzvz_23m4n8rhl9c842j5sXaNx1DUJxnFXdHPsIu0yW67gwg4As4mG6YLmWQoIa5LGtci7qFYvRfRrBTZfJNi1au3bw/s320/Marielle+01+la%25CC%2581pis.jpg" width="320" /></a></div>
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Traço à lápis.</div>
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Estudei todas as imagens que pude encontrar da Marielle, ainda que a conhecesse pessoalmente, é importante tentar capturar a essência da pessoa em sua forma visual. Esta foto que vocês podem ver aí na tela é da fotógrafa Thais Alvarenga – do Fotografias Negras.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMqfIBAGUdT2SjGdX0GTHSgFOyBU3nX0SwiYlf3WwNa1XVhhH5zgLsyht776gG2-gC-sg2bKPJ5Q1dvU_PrH2LI2ugWAUyjRts1X4MMUkz7gT5b833zzpbH8bTJ8uw0hP-ccpTYQ/s1600/Marielle+02+agua.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMqfIBAGUdT2SjGdX0GTHSgFOyBU3nX0SwiYlf3WwNa1XVhhH5zgLsyht776gG2-gC-sg2bKPJ5Q1dvU_PrH2LI2ugWAUyjRts1X4MMUkz7gT5b833zzpbH8bTJ8uw0hP-ccpTYQ/s320/Marielle+02+agua.jpg" width="320" /></a></div>
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Usando um papel telado próprio pra aquarela, mergulho só um pouco em água (quanto maior a gramatura, a grossura, do papel, mais tempo fica na água pra absorver e soltar as fibras).</div>
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Um papel fino pode apenas molhar e retirar em menos de um minuto.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDrRQuWtKctg6USfi-wZZZ6Oz6OBebnMM_3kJ8VaPSCUHoucikF0MiZeUBhGomdIEOmcSyEoVTrT3suBvaYAlQsVXj-nvwbpZiWM6pxWqNn14qGpQOvHYwfzMSh8WKiGEbZ40Uug/s1600/Marielle+03+madeira.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDrRQuWtKctg6USfi-wZZZ6Oz6OBebnMM_3kJ8VaPSCUHoucikF0MiZeUBhGomdIEOmcSyEoVTrT3suBvaYAlQsVXj-nvwbpZiWM6pxWqNn14qGpQOvHYwfzMSh8WKiGEbZ40Uug/s320/Marielle+03+madeira.jpg" width="320" /></a></div>
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Com a fita d'água prende sobre uma madeira lisa e limpa.</div>
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Essa fita é aquela que se usa pra prender obras de arte em molduras. Não é a crepe e nem a fita marrom – 99% das papelarias não irão entender seu pedido. Essa fita ela só se torna adesiva depois que a face brilhante dela é molhada (use esponja macia ou paninho, ou mesmo espalhando com dedo a água). Você passa água só do lado liso, e ele funciona como os antigos selos ou envelopes do correio, que precisava lamber pra ficar adesivo, quem pegou essa época?</div>
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Qualquer outra fita comum, destas que já são adesivas, não servem. Pois enquanto que a fita d'água se torna mais forte e firme com a umidade, a fita comum se enfraquece e deforma.</div>
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Algumas pessoas, ao prender a arte no papel, ainda usam taxinhas nos cantos, sobre a fita mesmo, pra fixar melhor.</div>
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Isso tudo é pra evitar que enquanto a papel vai secando ele fique reto, sem se deformar. Experimente molhar um papel qualquer e deixar secar sem firmar: ele ficará todo enrugado.</div>
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A aquarela, sendo a base d'água, enrugará os papeis que não forem relaxados na água, presos, e postos pra secar bem esticados.</div>
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Também se prender o papel sem molhar antes pra relaxar as fibras, elas começarão a soltar quando a aquarela encharcar o papel, e também ficará deformado.</div>
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Apenas um papel muito grosso e encorpado, e com pouco encharcamento irá resistir ainda à deformação.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPwlSMGOJzC5XaUn0rjWPmqQKvLxyblWF0LlQ9uMS3IcpFQldd-pdP_4YmrxE2F3aIUWGwfwWirgxojQZDszMXu_MMnNVX_mzV4fz_iy9YBQ6gDbCuiYfRq1OnUy8nisceYsOgug/s1600/Marielle+04+cor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPwlSMGOJzC5XaUn0rjWPmqQKvLxyblWF0LlQ9uMS3IcpFQldd-pdP_4YmrxE2F3aIUWGwfwWirgxojQZDszMXu_MMnNVX_mzV4fz_iy9YBQ6gDbCuiYfRq1OnUy8nisceYsOgug/s320/Marielle+04+cor.jpg" width="320" /></a></div>
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Tendo as linhas do desenho a lápis como guia em começo a pintar. Estou usando aquarela de tubo e pastilha.</div>
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Terminada as cores, eu vou esperar secar bem antes de fazer o traço com tinta china (nanquim, tinta preta feita com pó de carvão e estabilizantes).</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWyHa8LEgSxAouhQbBoUag6R1vDcgIavAOuGcSgJoM3z03MeagcWukUKwSofBKPe9PWXT1sdD6EgZMlbNnVa7f2Ok96q5xWWoaR_WZdBgFpqzrAUCBSQyI46-7URzU3ySEw0fZPA/s1600/Marielle+07+linhas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWyHa8LEgSxAouhQbBoUag6R1vDcgIavAOuGcSgJoM3z03MeagcWukUKwSofBKPe9PWXT1sdD6EgZMlbNnVa7f2Ok96q5xWWoaR_WZdBgFpqzrAUCBSQyI46-7URzU3ySEw0fZPA/s320/Marielle+07+linhas.jpg" width="320" /></a></div>
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Uso um pincel fino, de qualidade, pra traçar as linhas. Se a aquarela ainda estiver úmida, vai borrar. Por isso esperei secar bem. Se o pincel não for bem macio, e com ponta fina, vai acabar riscando mal o papel e tirando a delicadeza do traço. Pra quem nunca fez traço com pincel, e se acostumou a usar canetinha, é normal errar um pouco, mas com o tempo a mão vai ficando super firme mesmo se poder apoiar sobre o papel.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmtjO6pnLL2GLMf4TUMIav1Wak8153lL33jAFhH9cVRjqNH1PJd5SfbnC1ze2qcQilg5RVM9CTh3GXMhrYS5M29Uc3hnLz6qBJU4Tc580d_2G50UXyHldBH-MdzWQKkiM1BelHOw/s1600/Marielle+07+presente.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmtjO6pnLL2GLMf4TUMIav1Wak8153lL33jAFhH9cVRjqNH1PJd5SfbnC1ze2qcQilg5RVM9CTh3GXMhrYS5M29Uc3hnLz6qBJU4Tc580d_2G50UXyHldBH-MdzWQKkiM1BelHOw/s320/Marielle+07+presente.jpg" width="320" /></a></div>
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Terminei. O papel e as tintas estão super secos. Até a fita d'água secou e já começa a soltar um pouco.</div>
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Eu uso uma régua de aço e estilete pra recortar ao redor da arte e soltar da madeira. Depois arranca o que sobrou preso (as fitas) e limpa com água a madeira, deixa secar pra usar de novo quando precisar. Tenho aqui em casas algumas madeiras em tamanhos diferentes onde estico os papéis.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEginrDn9u6zj2y98Vh4Jv1QBMI3hxpOJUhDl5_AXCzSf7jUujp80X9yT6m7wbL3HGwxqkgxDSUem1OKLkN2PB09KV4h1kGuiuPkEy5kixw9t0qx23B8y9ys9eUmaR2hKuF_l742pA/s1600/Marielle+Franco+de+Thais+Linhares+150+pq.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEginrDn9u6zj2y98Vh4Jv1QBMI3hxpOJUhDl5_AXCzSf7jUujp80X9yT6m7wbL3HGwxqkgxDSUem1OKLkN2PB09KV4h1kGuiuPkEy5kixw9t0qx23B8y9ys9eUmaR2hKuF_l742pA/s320/Marielle+Franco+de+Thais+Linhares+150+pq.jpg" width="226" /></a></div>
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Escaneei o desenho, aplique um fundo com uma foto que fiz na favela da Maré, e apliquei digitalmente no vestido uma estampa de desenhei (usando canetinha) com a imagem de crianças e flores, algo que sempre me remete à atuação de Marielle, pela vida das crianças e a esperança de cidadania verdadeira pra todos nós. Primeiro eu reduzi muito a saturação (dá pra fazer isso no computador, em qualquer programa! O Gimp, por exemplo, é grátis, livre e resolver demandas mesmo profissionais). Mas achei muito esmaecido, e optei então por aumentar a saturação das cores e ficou assim:</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Uyqz-Y1C9Ybpqzt0y2WNbmbAxmDn58jtPKhgnDB8K1X__SQtF_kPUSuALSGykOAYdXDOopFpjvGSmCvLuJaShnR9WkTuAhEh6LTnvnA5ngYMf5wj-3MBaFEFuET39oGGNTGeSA/s1600/Marielle+Franco+de+Thais+Linhares+forte+pq.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Uyqz-Y1C9Ybpqzt0y2WNbmbAxmDn58jtPKhgnDB8K1X__SQtF_kPUSuALSGykOAYdXDOopFpjvGSmCvLuJaShnR9WkTuAhEh6LTnvnA5ngYMf5wj-3MBaFEFuET39oGGNTGeSA/s320/Marielle+Franco+de+Thais+Linhares+forte+pq.jpg" width="226" /></a></div>
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Preparei o arquivo para um formato de saída em impressão de 42cm x 29,7cm (A3), com resolução de 300dpi e modo de cor RGB (que é o usado em tela de TV, computadores e impressões em pequenas tiragens que usam plots e impressoras de rua, bureau, xerox...) – isso porque só será impressa uma única prancha, para a exposição em Campinas organizada pela Thaís Bicudo (repararam que são 3 "thaíses" aqui? Linhares, Alvarenga e Bicudo?), que começa dia 9 de março de 2019 - comemorando o Dia Internacional da Luta das Mulheres (8 de março), em "Elas, as mulheres que mudaram o mundo".</div>
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Se fosse pra imprimir uma tiragem grande (1.000 ou mais...), o ideal é usa gráfica que imprime com processo de 4 cores (que vem em latas de tinta de impressão), o CIANO (tipo de azul puro), YELLOW (amarelo puro), o magenta (tipo de rosa super forte) e o BLACK (preto puro): é o modo de cor CYMK.</div>
<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0Campinas - State of São Paulo, Brazil-22.9329252 -47.073845000000006-23.4010082 -47.719292 -22.4648422 -46.428398000000008tag:blogger.com,1999:blog-18773944.post-67834713702271476602019-02-13T14:51:00.000-05:002019-02-13T14:51:54.396-05:00Histórias em Quadrinhos e Direitos Humanos, artes completas para seminário<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">Cartaz de divulgação do Seminário:</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-dPTEZOVlcwpen4V679gKJEyPgp6T9adS5tJsWCWdGJzGUFQiwZYZUYxb6fx4UHmHn9L7gDO8DP3yFI1Ak6UxO0f4N3aSBA3vVYAKNvjdj1O0oDMCv6n3-XB1BV39Ig82W9oT7g/s1600/SEMINARIO+CARTAZ+WEB+corrigido.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-dPTEZOVlcwpen4V679gKJEyPgp6T9adS5tJsWCWdGJzGUFQiwZYZUYxb6fx4UHmHn9L7gDO8DP3yFI1Ak6UxO0f4N3aSBA3vVYAKNvjdj1O0oDMCv6n3-XB1BV39Ig82W9oT7g/s320/SEMINARIO+CARTAZ+WEB+corrigido.png" width="226" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Detalhes das duas HQs produzidas para o boletim que terá distribuição no seminário. Elas falam sobre memória com as histórias da Pequena África/Gamboa - RJ e sobre a educação democrática nas salas de aula. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Contaram com roteiros de especialistas no assunto e artes minhas:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Versões em outras línguas (inglês e espanhol a priori) serão disponibilizadas mais adiante para quem quiser baixar e imprimir livremente.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Arte que será impressa em <i>silkscreen</i> (3 cores) na bolsa de algodão que trará o material do seminário para os inscritos:</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQQGABuVotZCONFMlNjfR8z9YGXKji2hrWPKmcdYHZb9OjcuGpeGYehF87PWGeIfpJYk6WJZyP_YPdL_UjrGJskvI9l_Zr2g04NdgMRs3-3VEMuijCRiUqxPvuWaCKXTH46OxAtQ/s1600/SEMINARIO+IFRJ+BOLSA+cor+laranja.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="802" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQQGABuVotZCONFMlNjfR8z9YGXKji2hrWPKmcdYHZb9OjcuGpeGYehF87PWGeIfpJYk6WJZyP_YPdL_UjrGJskvI9l_Zr2g04NdgMRs3-3VEMuijCRiUqxPvuWaCKXTH46OxAtQ/s320/SEMINARIO+IFRJ+BOLSA+cor+laranja.jpg" width="271" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Teste para cores opcionais:</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAV4SByDRHqExkGPVugtJiRQZ3fKmVU8Uh3FyqaRORv863BKM3bFSLWZUW7gp7gnMROF9uA0J-jUxfvqRHNHSv6xQdB9msRe09Q8Dm9HkiSn4jZb5oJ4W-c5d6jA0THK6vFKY_A/s1600/SEMINARIO+IFRJ+BOLSA+cor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="802" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAV4SByDRHqExkGPVugtJiRQZ3fKmVU8Uh3FyqaRORv863BKM3bFSLWZUW7gp7gnMROF9uA0J-jUxfvqRHNHSv6xQdB9msRe09Q8Dm9HkiSn4jZb5oJ4W-c5d6jA0THK6vFKY_A/s320/SEMINARIO+IFRJ+BOLSA+cor.jpg" width="271" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ujUAEzBTxLY0gQp3FOLsUYoOdjW5XwIq-RzfYRn4qPCyWBOVLWk2A8JPJQ6GIn_1-2RdVaU-o195Ikp-BDlVt3EKbl_gK-ncusJd6pa8KJ51ImE5hXZl-DoTayK0cJ7Sbugvsw/s1600/SEMINARIO+IFRJ+BOLSA+cor+terras.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="802" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ujUAEzBTxLY0gQp3FOLsUYoOdjW5XwIq-RzfYRn4qPCyWBOVLWk2A8JPJQ6GIn_1-2RdVaU-o195Ikp-BDlVt3EKbl_gK-ncusJd6pa8KJ51ImE5hXZl-DoTayK0cJ7Sbugvsw/s320/SEMINARIO+IFRJ+BOLSA+cor+terras.jpg" width="271" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">E para impressão em preto:</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsHeK8MKVm4PO60JfsmNIOUYo6lrP6xVSFplTgpY9XFDHTPPs_NNH-C7GFuC1j95LqzLVS9DGF-pIPh7kocAtHKU94BI2SwS6HUKk8XihILKx8Y4n7gPj6KivCs_wbRouzeL9YGQ/s1600/pamella+passos+bolsa+texto+curvas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="928" data-original-width="791" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsHeK8MKVm4PO60JfsmNIOUYo6lrP6xVSFplTgpY9XFDHTPPs_NNH-C7GFuC1j95LqzLVS9DGF-pIPh7kocAtHKU94BI2SwS6HUKk8XihILKx8Y4n7gPj6KivCs_wbRouzeL9YGQ/s320/pamella+passos+bolsa+texto+curvas.jpg" width="272" /></a></div>
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0Rio de Janeiro, State of Rio de Janeiro, Brazil-22.9068467 -43.172896499999979-23.374864199999998 -43.818343499999976 -22.4388292 -42.527449499999982tag:blogger.com,1999:blog-18773944.post-8745214753404947412019-02-06T12:31:00.002-05:002019-02-06T12:43:34.860-05:00ISS não incide sobre cessão de direitos autorais<div class="title" style="font-family: Museo300, Arial, Helvetica, sans-serif; margin: 20px 0px 0px;">
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<span style="font-weight: normal;">"A cessão de direito autoral não está sujeita à incidência do Imposto sobre Serviços de Qualquer Natureza (ISS). O entendimento, inédito no Superior Tribunal de Justiça (STJ), foi adotado pela Primeira Turma ao julgar recurso do município do Rio de Janeiro contra as empresas Monte Criação e Produção e Monte Songs Edições Musicais.A decisão manteve posição do Tribunal de Justiça do Rio de Janeiro (TJRJ), para o qual a lei municipal não pode estabelecer hipóteses de incidência tributária não prevista em lei complementar federal. “A definição de hipótese de incidência é matéria reservada ao legislador federal, obedecendo à repartição da competência tributária constitucional”, decidiu o TJRJ.</span></div>
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No caso, a cantora Marisa Monte celebrou contratos em que ficou pactuado que ela cederá, a título gratuito e por tempo determinado, os direitos autorais das obras artísticas e literárias de sua titularidade às empresas, que, por sua vez, os cedem, a título oneroso, a terceiros. Para não se sujeitar à incidência do ISS, as empresas impetraram mandado de segurança preventivo. O pedido foi negado, houve recurso e o TJRJ reconheceu a não incidência.</div>
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Lei complementar</div>
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O município recorreu ao STJ. Segundo o relator, ministro Arnaldo Esteves Lima, a Constituição Federal define que a lei complementar é que estabelece normas gerais em matéria tributária, especialmente sobre definição de tributos e suas espécies. Cabe aos municípios e ao Distrito Federal apenas a instituição desses impostos já definidos em lei complementar.</div>
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Dessa forma, a lei complementar define o fato gerador do ISS, ou seja, os serviços submetidos à incidência do tributo e sua base se cálculo. Portanto, “leis municipais e distritais que instituírem o ISS, no âmbito de sua competência, não podem criar novo fato gerador, tampouco disciplinar de modo diverso sua base de cálculo, sob pena de extrapolar os limites estabelecidos pelo texto constitucional”, explicou o relator."</div>
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(...)</div>
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Veja no link com detalhes:<br />
<a href="http://www.gontijo-familia.adv.br/iss-nao-incide-sobre-cessao-de-direitos-autorais/">http://www.gontijo-familia.adv.br/iss-nao-incide-sobre-cessao-de-direitos-autorais/</a><br />
<br />
E ainda:<br />
<a href="https://portalcontabilsc.com.br/artigos/tributacao-de-licenca-e-direitos-autorais/">https://portalcontabilsc.com.br/artigos/tributacao-de-licenca-e-direitos-autorais/</a><br />
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E mais: <a href="http://www.denisbarbosa.addr.com/paginas/taxes/taxes_iss.htm">http://www.denisbarbosa.addr.com/paginas/taxes/taxes_iss.htm</a>l<br />
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"<span style="background-color: #eef6e4; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; font-weight: bold;">Isenções</span><br />
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Estão isentos do ISS <a href="http://www2.rio.rj.gov.br/smf/pagsmf/conteudo.cfm?template=conteudo&idmenu=3&idsubitem=192&keyword=ISS&procura=ISS%20%2D%20Imposto%20sobre%20Servi%E7os%20de%20Qualquer%20Natureza#nt28a#nt28a" style="color: #07250c; text-decoration-line: none;"><em>(28)</em></a>:</div>
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· os espetáculos circenses nacionais e teatrais;</div>
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· as promoções de concertos, recitais, "shows", festividades, exposições, quermesses e espetáculos similares, cujas receitas se destinem integralmente a fins assistenciais;</div>
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· os músicos, artistas e técnicos de espetáculos;</div>
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· até 31/12/2008, os serviços típicos das empresas da indústria cinematográfica, dos estúdios de filmagem e de sonorização, das locadoras de equipamentos de iluminação e de filmagem de cinema e de vídeo e dos distribuidores que se dediquem, exclusivamente, a filmes brasileiros naturais ou de enredo, não alcançadas as receitas de publicidade e propaganda, inclusive as oriundas de mensagens publicitárias inseridas em produções cinematográficas;</div>
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· os serviços de exibição de filmes cinematográficos em salas ocupadas por entidades brasileiras sem fins lucrativos;</div>
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· os serviços necessários à elaboração de livros, jornais e periódicos;<br /></div>
<h3 class="style1" style="background-color: #eef6e4; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; font-weight: normal;">
<a href="https://www.blogger.com/null" id="_Toc24442620" name="_Toc24442620"></a><a href="https://www.blogger.com/null" id="_Toc9939832" name="_Toc9939832"></a><a href="https://www.blogger.com/null" id="nt10" name="nt10"></a><span class="style7" style="font-size: 13px; font-weight: bold;">Microempresas</span></h3>
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As pessoas jurídicas e firmas individuais cuja receita bruta anual não ultrapasse valor definido anualmente em Resolução do Secretário Municipal de Fazenda<a href="http://www2.rio.rj.gov.br/smf/pagsmf/conteudo.cfm?template=conteudo&idmenu=3&idsubitem=192&keyword=ISS&procura=ISS%20%2D%20Imposto%20sobre%20Servi%E7os%20de%20Qualquer%20Natureza#nt11#nt11" style="color: #07250c; text-decoration-line: none;"><em>(11)</em></a> podem solicitar enquadramento como microempresa e, assim, gozar de isenção do ISS <a href="http://www2.rio.rj.gov.br/smf/pagsmf/conteudo.cfm?template=conteudo&idmenu=3&idsubitem=192&keyword=ISS&procura=ISS%20%2D%20Imposto%20sobre%20Servi%E7os%20de%20Qualquer%20Natureza#nt12#nt12" style="color: #07250c; text-decoration-line: none;"><em>(12)</em></a>."</div>
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-55861397296160019222019-01-29T12:10:00.001-05:002019-01-29T12:49:02.578-05:00Acessibilidade para baixa visão, mediadores de leitura e contadores de histórias.Pensando na necessidade de criar ilustrações para uso por contadores de histórias e mediadores de leitura, onde as imagens precisam comunicar objetivamente e não dificultem o entendimento da forma mesmo numa roda de leitura (vistos à distância) ou por apreciadores com baixa visão.
Aqui selecionei algumas artes minhas de diferentes projetos, mas apenas para serem ponto de partida.
As únicas que foram produzidas visando os objetivos aqui citados foram as do livro "Pedro e Joaquim", publicado pela Fundação Dorina Nowill, em parceria com a AEILIJ – Associação de Escritores e Ilustradores de Literatura Infantil e Juvenil.
Aqui:
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijJV_ut5e12_QMKq4vNaqE2rx50tghk7r_-OxbLkDUnkAe0MKAHUiOPrt14GgXIeVsfzfN2Mx-h36aTxUfC-xaUCRSBlS2xbDyLVi_jjUsoNz_8Y5gkAvPZBBmCECoAGGUL044hQ/s1600/N_Pedro_e_Joaquim_0405_72.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="454" data-original-width="887" height="164" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijJV_ut5e12_QMKq4vNaqE2rx50tghk7r_-OxbLkDUnkAe0MKAHUiOPrt14GgXIeVsfzfN2Mx-h36aTxUfC-xaUCRSBlS2xbDyLVi_jjUsoNz_8Y5gkAvPZBBmCECoAGGUL044hQ/s320/N_Pedro_e_Joaquim_0405_72.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzF2O_cJypx-Lie2U-0GW8Y6yAa4QRQwkO2QfNbZEc-v_rTt2Utjt84ahgaoqsSLC7ZJnCf9DZI1ho5uykwxp2PfD2EWnsOZqOXcYPNt4YCMvUIGa3AmlpuKvgwnl0pdTXdzbzvg/s1600/N_Pedro_e_Joaquim_0607_72.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="484" data-original-width="737" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzF2O_cJypx-Lie2U-0GW8Y6yAa4QRQwkO2QfNbZEc-v_rTt2Utjt84ahgaoqsSLC7ZJnCf9DZI1ho5uykwxp2PfD2EWnsOZqOXcYPNt4YCMvUIGa3AmlpuKvgwnl0pdTXdzbzvg/s320/N_Pedro_e_Joaquim_0607_72.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiAGuW_BHyxZdK4nk-9vsnkrfRqYouoMRvram7nSB4ctpUOneczBw_WjIOv0vJe79_Zsi5eCIMk3jWEp2HwkdilRPsOTPW53Kt2KTeqznWQ6rAYcxB2tu7IxSMjOgffsQwBzqtmQ/s1600/N_Pedro_e_Joaquim_1011_72.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="553" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiAGuW_BHyxZdK4nk-9vsnkrfRqYouoMRvram7nSB4ctpUOneczBw_WjIOv0vJe79_Zsi5eCIMk3jWEp2HwkdilRPsOTPW53Kt2KTeqznWQ6rAYcxB2tu7IxSMjOgffsQwBzqtmQ/s320/N_Pedro_e_Joaquim_1011_72.jpg" width="320" /></a></div>
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Nestas fomos orientados pelas mediadoras a usar perfis e traçados já consagrados pelo uso. Assim, a forma das orelhas e rabo, o perfil da casa dos bichinhos, ganhavam o relevo em "braile" e as linhas grossas com coloridos contrastantes, cumpriam na informação para os leitores de baixa-visão.</div>
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Nem todos os traços desenhados são traduzidos em relevo. Seleciona-se aqueles que são códigos familiares aos leitores que usam o tato.</div>
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A seguir vemos estudos para a obra "O Pequeno Filósofo", ed. Globo. </div>
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Linhas leves, informação de rápida apreensão.</div>
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Uma sugestão que pode valer , sendo adaptada dependendo do objetivo.</div>
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Aqui abaixo são exemplos de frames (quadros que formam o segundo de animação) para um vídeo que estou montando para um amigo. Vale como ideia de como se pode brincar com palavras e cenários associados a significados.</div>
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Simpático, né?</div>
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Agora são artes criadas para o "Agapinho" ed. Globo.</div>
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E um projeto da Avon cosméticos sobre o conto da Bela Adormecida, onde valorizou-se a geometria básica que compõe as personagens. Pode ser uma boa pra nossa busca e ainda cria uma ponte para a passagem dos personagem para um suporte muito curtido pelos contadores de histórias e mediadores, os bonecos e cenários de feltro dos tapetes contatdores:</div>
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Na sequência uma amostra livre de outros estilos:</div>
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Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-38729475426971071532019-01-13T10:34:00.000-05:002019-01-13T10:46:46.256-05:0090%<div class="separator" style="clear: both; text-align: center;">
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Um escritor, um ilustrador, o compositor de uma música, poetas... recebem em média 10% sobre os ganhos provenientes de suas criação.<br />
Isso quer dizer quem quando um autor cria algo, pra cada 100 dinheiros que é levantado, ele fica com 10 dinheiros e vão os demais 90 dinheiros para movimentar a economia do país.<br />
Ainda assim, agora já no século XXI, vemos aflorar do lodo da estupidez, uma ideia fruto do mais raso sendo comum: a de que artistas são "vagabundos", e pior, "parasitas" da sociedade.<br />
O setor econômico que movimentamos é o envolve produção e difusão de Cultura, Educação e Ciências. Três pilares sobre os quais toda a sociedade é montada e a partir daí se estrutura os demais caminhos de infra-estrutura, consumo, influências.<br />
Carregamos sobre nosso trabalho setores comerciais – livrarias, e-comerce, publicidade, influência no consumo de produtos de todas as áreas – e industriais – gráficas, fábricas de produtos diversos, inovações tecnológicas – e até do agronegócio – no caso do livro especificamente o plantio de eucaliptos pra papel, insumos pra hábitos de consumo indicados por ideias difundidas pela cultura.<br />
É notório que quanto maior o desenvolvimento de um país, mais forte é o setor cultural e também que quanto mais forte é o setor cultural, mais desenvolvido e autônomo economicamente é um país.<br />
Países de poucos recursos naturais, e até bem pequenos em extensão, tem em sua indústria cultural uma vantagem que lhes coloca com ganhos bem acima de países naturalmente riquíssimos mas que menosprezam (politicamente) a cultura e seus autores nacionais.<br />
Estou vivendo pra ver o Brasil mergulhar no obscurantismo. Ver artistas serem difamados e museus fechados. Livreiros virarem foco de resistência onde deveria ser de descontração. Palavras são distorcidas, o desentendimento é proposital.<br />
Somos chamados de vagabundos e parasitas por hordas de ignorantes que nem piscam ao acatar os discursos falsos de lideranças cujo comportamento em nada se diferencia do de psicopatas.<br />
Ao mesmo tempo, sob o olhar de todos, líderes "religiosos" e "gurus" são descobertos como sendo estupradores e pedófilos.<br />
Nunca houve em toda história da humanidade um único caso de assédio a crianças em um museu. Artistas fazem tudo à luz, às claras. Mas enquanto imbecis distorcem e retiram de contexto para depois atacar e violentar artistas e autores em geral, crianças estão sendo de fato estupradas dentro de salas fechadas, banheiros de líderes "espirituais", e quando tentam denunciar são mais atacadas ainda!<br />
Tempos difíceis que só se tornaram padrão por conta da censura à arte e ao sufocamento da cultura, seja pelo viés da economia, tornando impossíveis quem quiser investir de o fazer tranquilamente, e aqui falo da Lei Rouanet – responsável por praticamente todas as mais importantes iniciativas culturais e educativas que aconteceram nos últimos anos – como pelo viés da mais pura e covarde violência de fato, com palhaços sendo presos por policiais ao fazer performance de crítica à truculência e corrupção do Estado, apedrejamento de funcionárias de museus, passeata com xingamentos a autoras internacionais de vem palestrar em instituições privadas.<br />
O Brasil virou alvo dos olhares internacionais – antes era visto com admiração, sua imagem vendia nossa arte e produtos, seções de autores nacionais eram abertas e louvadas na Europa. Agora, somos vergonha. Nossos livros esquecidos, setores de estudos fechados. O nome Brasil passa de honrado ao um selo maldito que agora representa obscurantismo e horror.<br />
Quando se criminaliza e mata a arte, não são os "vagabundos" ou "parasitas" dos autores os que mais perdem. Eles ficam só com 10% do lucro que geram na economia. Os outros 90% era pro país.<br />
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Tenho medo do que virá aí.<br />
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Imagem: <i>história em quadrinhos "Colagem", feita para o querido amigo, professor e artista plástico, Luiz Fernando Perazzo. Que tirou a própria vida ainda antes desta loucura toda nos dominar. Imagino o que ele falaria destas dores e horrores.</i><br />
<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-19409671845175630602019-01-11T14:16:00.000-05:002019-01-13T10:12:52.915-05:00Identidade Visual em Direitos HumanosEste comecinho de ano veio bom com o pedido de criação de identidade visual (com diversos sub-produtos) para seminário de direitos humanos na educação organizado por amigas que são referência nacional na área. Professoras, antropólogas, historiadoras, juristas... conheço um time de me inspira e vem me orientando em estudos na área. Parte de minha formação como educadora vem através delas.<br />
Por isso, quando sinto que posso retornar de alguma forma com meu trabalho, toda essa admiração que tenho por elas, fico feliz.<br />
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A primeira demanda foi por uma arte para aplicar em bolsa que levará o material do seminário.<br />
Peguei o tema e comecei a pensá-lo dentro das diretrizes de comunicação específicas da área.<br />
Há todo um histórico de como a simbologia desta área se desenvolveu, há figuras que são mais reconhecidas (e penso também nestas artes sendo apreciadas por pessoas de fora do país), há ainda a questão de reações emocionais a estas.<br />
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Dentro de um tema que abraçará pontos que despertam reações negativas, por estarmos justamente no enfrentamento às violações de direitos essenciais, é preciso pensar imagem que represente bem, mas sem deprimir aquele que busca força na união e informação.<br />
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Temos nossas vidas sob risco, nossa liberdade ameaçada, retrocessos que nos apontam desfechos sinistros, contrários a uma sociedade de verdadeira paz e justiça pra todos.<br />
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Assim, em cada tema que me saltava à mente, rabisquei as ideias inicialmente assustadoras e depois procurava qual seria sua "solução" para vencer o desafio.<br />
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Pamella Passos, que me orientou nos pedidos, me lançou a ideia de uma professora que sendo censurada seria socorrida por alunos. Ela perguntou se não seria óbvio demais, mas o caso é que a maioria das imagens que abordam desta forma o tema, o desfecho é desanimador! Mas no cenário montado por Pamella, os alunos resgatando, é o que "salva o dia", ao mostrar que a nova geração não está aceitando ser transformada em gado que segue sorridente pro abate.<br />
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O ato de censura, eu personifiquei. Colocar antropofórmico um conceito, é um recurso que é muito bacana, e é usado por comunicadores gráficos desde que o lápis fez amizade com o papiro. Fornece um entendimento geral da questão ao leitor da imagem.<br />
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Do outro lado, a professora e as crianças, sendo personagens específicos, são aqueles com as quais o público de identifica: conhecemos alguma professora como aquela, temos alunos como estas crianças!<br />
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Aqui a seguir está a arte em processo e algumas propostas paralelas que podem ser utilizadas em outras ocasiões ou até mesmo dentro da papelaria produzida pra este seminário.<br />
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Ainda sem o estudo de cor, que virá mais adiante.<br />
Neste caso, utilizaremos 3 cores <i>silkadas</i>, o que fornece possibilidades muito bonitas.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYoK0KyPnRAKsoDjRGBXPfCjemzVwpYj1q0B4_mJKuAVpCnIPt8HfQMN3HBsjh5H8DBktn24fGJTTUTLUOUXNZK_A0SDz6IC7KtJ-nDiScgE7V5YefUK7aY_Cg9cwJJ96daYr02w/s1600/pamella+passos+72+dh01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="992" data-original-width="992" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYoK0KyPnRAKsoDjRGBXPfCjemzVwpYj1q0B4_mJKuAVpCnIPt8HfQMN3HBsjh5H8DBktn24fGJTTUTLUOUXNZK_A0SDz6IC7KtJ-nDiScgE7V5YefUK7aY_Cg9cwJJ96daYr02w/s320/pamella+passos+72+dh01.jpg" width="320" /></a></div>
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Imagem selecionada, mas ainda em processo.</div>
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Repare que a composição está sem equilíbrio: todos os elementos escapam pela direita, acelerando a fuga pela diagonal de leitura. Corrigi isso na imagem que será usada mais adiante.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRQbHct1l5B1F-29mxl-68FPgfYlzwB7OgTdEfchNNdMf9Jkwdb1pyw5891saJOH1dc37CpLF1B43xa2iJaUU4U5Xr9pgQhNugvfNO0RrKwphn0gL30rsUKGKF72xHXaemE1gJFw/s1600/pamella+passos+72+dh03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="460" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRQbHct1l5B1F-29mxl-68FPgfYlzwB7OgTdEfchNNdMf9Jkwdb1pyw5891saJOH1dc37CpLF1B43xa2iJaUU4U5Xr9pgQhNugvfNO0RrKwphn0gL30rsUKGKF72xHXaemE1gJFw/s320/pamella+passos+72+dh03.jpg" width="235" /></a></div>
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Uma proposta usando especificamente o símbolo que figura no logotipo dos Direitos Humanos utilizado internacionalmente, só que adaptado com lápis e caderno pra puxar pro tema da educação.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLQFjVg27e57OEJI9jNxtiHsMeYupobHmgMDOibfw25-4R2bJFkcV-h_eAxpvYQrckh8PFzDAbVPfQOOCZK9vmvrvCN5LJPsuMdGnijUK5ljKnS1_Vk3YOBfuQG7WDOYUhWRaA4Q/s1600/pamella+passos+72+dh04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="425" data-original-width="449" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLQFjVg27e57OEJI9jNxtiHsMeYupobHmgMDOibfw25-4R2bJFkcV-h_eAxpvYQrckh8PFzDAbVPfQOOCZK9vmvrvCN5LJPsuMdGnijUK5ljKnS1_Vk3YOBfuQG7WDOYUhWRaA4Q/s320/pamella+passos+72+dh04.jpg" width="320" /></a></div>
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Mais sutil, criando uma ID própria para o seminário. Pode ser reproduzida em formatos mínimos como broches e selos. É bem genérico, mas utilizado junto ao título, não fica perdido em seu significado.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXAl0-L-p2zI6wVmF-jCf2C2dwU7vBAObKGsFCF6KYrvrnrxw2vA-hWDNQl2o8fd0Q4FxI4CUvtXQPfs_BGZ9m5Qbk5eoOs0O_ML46UsUEzOICJb-NimXiDhddhHgvk1A7OpebtQ/s1600/pamella+passos+72+dh05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="746" data-original-width="439" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXAl0-L-p2zI6wVmF-jCf2C2dwU7vBAObKGsFCF6KYrvrnrxw2vA-hWDNQl2o8fd0Q4FxI4CUvtXQPfs_BGZ9m5Qbk5eoOs0O_ML46UsUEzOICJb-NimXiDhddhHgvk1A7OpebtQ/s320/pamella+passos+72+dh05.jpg" width="188" /></a></div>
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Mesma ideia que a anterior, mas buscando uma mensagem mais otimista. Aqui é como se a gente já estivesse na sequencia da resistência e já na construção.</div>
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Aqui a imagem escolhida já com a composição corrigida.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcr2oC5ukLdegQdjQrXFMZNtu_-1FUCI9omYWPJwgmkU7piGRtOVtIJLD1lx9ajkVv1r902tSGj7ylfjPHUH00Yw3ziRLcEllbYVsOtXO-27_y8EPb-zDV86lq9FZtclQ1NxujQQ/s1600/pamella+passos+dh06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="1600" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcr2oC5ukLdegQdjQrXFMZNtu_-1FUCI9omYWPJwgmkU7piGRtOVtIJLD1lx9ajkVv1r902tSGj7ylfjPHUH00Yw3ziRLcEllbYVsOtXO-27_y8EPb-zDV86lq9FZtclQ1NxujQQ/s320/pamella+passos+dh06.jpg" width="320" /></a></div>
<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-91029388797089530922019-01-01T17:29:00.000-05:002019-01-01T17:29:23.284-05:00A vingança dos analógicos: por que objetos de verdade ainda são importantes – de David Sax. Resenha crítica.
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<span class="s1"><b>PPGTLCOM 2018/02<span class="Apple-converted-space"> </span></b></span></div>
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<span class="s1"><b>A vingança dos analógicos: por que objetos de verdade ainda são importantes<span class="Apple-converted-space"> </span></b></span></div>
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<span class="s1">Autor: David Sax<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Aluna: Thais Quintella de Linhares</span></div>
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<span class="s1">Disciplina: Laboratório de Redação Científica<span class="Apple-converted-space"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVyKN6NsEYrSs117tX_RIA_NHRNUbZf1hod3-K4A9ysdXGky29Uoms8CEbV0Z_tsWHLoH69kdKmBtfCnlAGWMfcTxVRS9fRZCMSfAF7obTnRE3audV2pUzPLGVPLXSoEMeiOzEVg/s1600/02spamtha.jpg" imageanchor="1" style="font-family: Times; font-size: medium; margin-left: 1em; margin-right: 1em; text-align: center; text-indent: 0px;"><img border="0" data-original-height="146" data-original-width="419" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVyKN6NsEYrSs117tX_RIA_NHRNUbZf1hod3-K4A9ysdXGky29Uoms8CEbV0Z_tsWHLoH69kdKmBtfCnlAGWMfcTxVRS9fRZCMSfAF7obTnRE3audV2pUzPLGVPLXSoEMeiOzEVg/s320/02spamtha.jpg" width="320" /></a></div>
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<span class="s1">Em seu livro A vingança dos analógicos: por que objetos de verdade ainda são importantes , o<span class="Apple-converted-space"> </span>jornalista David Sax, traça uma avaliação atualizada sobre uma suposta derrocada dos suportes analógicos uma vez que os meios digitais assumiriam as funções de distribuição, produção e mesmo na educação de crianças e jovens, com maior eficiência e a um custo bem menor, tal como fora preconizado logo no início da popularização das tecnologias que possibilitam esses meios.</span></div>
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<span class="s1">Acreditava-se que com a chegada de plataformas de compartilhamento de conteúdo, os analógicos seriam extintos. Assim, livros de papel, de cara produção e distribuição, desapareceriam dando lugar aos conteúdos exclusivamente digitais.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Sax avalia capítulo a capítulo o destino de cada um dos principais suportes analógicos diante da ameaça de seu substituto digital, e a os conclui anunciando a forma como cada suporte se remodelou para atender a novos nichos de mercado para resgatar antigas demandas, que nunca cessaram de existir, do público consumidor.</span></div>
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<span class="s1">O primeiro analógico abordado é o vinil e por extensão o mercado da música. Observamos como o colapso da distribuição baseado em discos de vinis força a uma remodelagem do sistema. Fato é que a indústria fonográfica não mais possuía o monopólio da produção e distribuição, uma vez que as novas plataformas e suportes tornaram viáveis não apenas a distribuição mas também a produção musical a baixo custo. Artistas não estavam mais submetidos às vontades dos produtores, abrindo às possibilidades criativas fora do mainstream ao acesso a novos públicos antes ignorados pela grande indústria que privilegiava apenas o que pudesse ser massificado, dados os altos custos que demandavam ser amortizados em grandes tiragens. Sim, o mercado dos discos em vinil sofreu uma queda significativa com a chegada de novos suportes digitais para as músicas. Os compact disks, o Pen-drive (carregados de play-lists), os downloads na Internet (e aqui queria acrescentar um destaque para o sistema de compartilhamento “torrent”, especialmente do Limewire – já extinto judicialmente), até mesmo os canais de música extra ou oficiais. Como Youtube, podcast, Spotfy, Vimeo. A indústria do vinil, porém, não desaparece. Ela se mantém com produção de baixas tiragens, se deslocando para nichos específicos. E começa depois a retornar, como sinônimo de qualidade e “cult” através, não mais dos antigos consumidores, mas de uma nova geração, a juventude em busca de suas características distintas.</span></div>
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<span class="s1">A prensagem de CDs e vinis em tiragens especiais, canais de música online modificam o panorama, franqueando acesso praticamente ilimitado a quem embarcar nas redes online.</span></div>
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<span class="s1">Até os anos 90 havia um modelo de comércio de música onde o ônus do investimento recaía sobre os produtores, logo, se por um lado isso afunilava o acesso do que fugisse ao já consagrado no mercado, por outro, democratizava em termos de que o artista não precisava se arriscar financeiramente. Num modelo, como o atual, em que os lucros incessantes caem no colo das plataformas que lucram monetizando os conteúdos, mas sem nada produzir neste mundo criativo, os artistas se percebem vulneráveis, e tendo de lidar com novas demandas de auto gerência, auto promoção e tentar despontar em meio ao ruído geral, o que sem ter capital inicial próprio é praticamente impossível dado a monetização contínua, indo contra mecanismos de democratização do uso da Internet, como o louvável Marco Zero da Internet implementado no Brasil.</span></div>
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<span class="s1">O papel é o segundo suporte analógico reavaliado por Sax, o culto ao uso do Moleskine, o apelo do papel de celulose para uma manipulação mais orgânica da informação. Ainda é neste suporte que nos sentimos mais confortáveis e apresente características que, sendo ou não melhores do ponto de vista prático, se apresentam como mais familiares e agradáveis aos usuários. Este “pad” físico é ainda um dos mais caros o que acrescenta uma dimensão de valorização do conteúdo e autor. A saber: documentações importantes em documentos de Estado, são gravadas em outro suporte de mesma funcionalidade mas muito mais durável no ambiente natural: o pergaminho de pele animal.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">O caderno, Moleskine ou algum similar, ainda carrega em si o apelo da materialidade do suporte abrigar as ideias de forma perene: você pode pagar da mão de alguém, folhear, rasgar. Assim como não pode ser apagado por um pulso eletromagnético, tampouco há tecla de “recuperação" que traga de volta traços manchados ou apagados.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">No terceiro capítulo discute-se o filme de película usado em câmeras fotográficas e gravação de obras cinematográficas. E de fato, os processos digitais se apresentam como muito mais ágeis e menos custosos do que o processo quase culinário de revelação dos negativos. Ocorre porém, que em busca da perfeição, abre-se mão da relação mais íntima do foto-cine-autor com o resultado final da obra. O processo digital passa a cumprir então a função prática, libertando o analógico para a seara do artesanal. A foto e cinema em película não morre, renasce como forma de arte mais pessoal e manual. É possível acompanhar o experimentalismo resultante em inúmeras feiras gráficas – a foto enquanto design, cineclubes<span class="Apple-converted-space"> </span>e festivais independentes – com um público sempre havido pela dimensão da corrupção da manipulação humana.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Um exemplo interessante e extremo, são as obras gráficas criadas por processo de pin-hole. O gestual de preparar o processo de captura de imagem, revelação e fixação responde à demanda bem humana de participação, de se “sentir parte da magia”. A simples captura pela lente de um celular e imediata postagem num portal de rede social, como o Instagram, por exemplo, pula etapas que ficam mal resolvidas dentro da dinâmica que corresponde às demandas de expressão e poder pessoal dos usuários.</span></div>
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<span class="s1">Resgatar para uma dimensão puramente artística de obras experimentas os filmes analógicos, as <i>Polaroides</i>, montagens feitas de forma tradicional sem uso de recursos “facilitadores" digitais, coloca o <i>fazer</i> como objetivo maior do que o <i>mostrar</i>.</span></div>
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<span class="s1">A seguir, no quarto capítulo o autor nos mostra como os jogos de tabuleiro, como outros meios analógicos, supostos descartados, retornam como meio ideal de um tipo de socialização que se mostrou inviável nas mídias digitais. O fator-humano, onde a mesa de jogo é a desculpa para <i>sentar junto</i>. E também de como surgiram os “gurus” dos jogos, que como <i>sommeliers</i> de vinho sabem identificar os jogos mais afins a determinado grupo de jogadores. Cafés e livrarias se unem no atraente modo de interação que usufrui tanto de antigos quanto novos e criativos jogos surgidos em levas a partir de sites de <i>quickstarting</i>.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Tais café-livrarias onde podem acontecer partidas de jogos de tabuleiro, associados a eventos de impressos, e sempre contando com uma rede social 24/7 como seu espelho no ambiente virtual onde os grupos de jogadores e fãs se mantém em contato e marcam partidas, se espalharam pelos centros urbanos.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Plataformas colaborativas – estruturas como a <i>Wikipedia</i>, por exemplo – compõe pontos de encontro no virtual onde os jogadores podem desenvolver enredos para partidas de <i>Role Playing Games (RPG)</i> e construção de personagens. Assim, os jogos no local marcam o clímax do rol de partidas, enquanto o virtual garante aprofundamentos e até mesmo participação remota de amigos em outras cidades.</span></div>
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<span class="s1">Os impressos se apresentam no capítulo cinco, não mais como produto de consume de massa, mas de atendimento direto às demandas de seu público específico. Combinados com eventos onde os autores e ou editores conversam de forma direta com os fãs dos temas. Os impressos já saem das prensas on demand e com máximo proveito e valorização do design, direto para o endereço dos compradores (pelos <i>crowdfundings</i>) ou em eventos especialmente criados para apresentação de ousadas propostas de temas e acabamentos gráficos primorosos, que em larga escala intimidariam os editores tradicionais. A lógica do desperdício da banca de jornal é trocada pela da encomenda e identificação de temas de menor alcance mas público fidelizado. Quebrou-se a expectativa de que o “baixo” custo do digital tornaria essa plataforma por si só lucrativa para os tradicionais do jornalismo.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">O jornais de papel merecem uma consideração mais cuidadosa do que faremos aqui, e mesmo Sax deixa a desejar neste tema. Em todo caso, passada quase duas décadas da virada do século, vemos que a falência do modelo de distribuição em banca de jornal tem um alto custo na dissociação da noção do real mesmo nas notícias do dia a dia. Algoritmos programados para medir a reação do usuário na rede e a partir dela programar conteúdo e publicidade, sequestraram a construção da percepção de realidade do usuário.</span></div>
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<span class="s1">“Free yourself to free us all”,<span class="Apple-converted-space"> </span>recomenda o especialista em rede, programador e “pai" de recursos que hoje utilizamos online, Jaron Lenier, nos alerta para tal manipulação decorrente de tais algoritmos. Uma super estrutura causada pela forma como a Internet primeiro foi montada: como comunicadora e não hospedeira de conteúdo. A hospedagem e distribuição de conteúdo ficou a cargo de empresas comerciais, onde nossa base de dados (e metadados) são vendidas ao uso da publicidade.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">O emocional humano dita essas reações e autores como Lenier acusam as redes que mantém esse formato (Facebook, Whatsapp, Youtube) de, ainda que não de forma maligna, manipularem as emoções dos usuários, gerando grupos reativos a partir de uma cultura de paranoias e <i>fakenews</i>, capazes de distorcer até mesmo processos democráticos como eleições e revoluções populares.</span></div>
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<span class="s1">Assim, fugir da redes, deletar seu dados e metadados, e tirar “férias" do sistema, resgatando relações e formação de redes analógicas, seria, segundo Lenier, essencial para a saúde social e até mesmo a sobrevivência da espécie humana.</span></div>
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<span class="s1">Plataformas não comerciais, tentam, ainda que de forma restrita, abrir caminhos livres dos algoritmos. São as mais conhecidas, todas feitas em código aberto, a <i>Rise Up</i> (email, grupos), <i>Signal</i> (mensagens), rede <i>Onion</i> e navegador <i>Tor</i>. Para pesquisa sem roubo d emetadados, existe o <i>Duck,duck,GO!</i></span></div>
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<span class="s1">Todos estes não estão submetidos às regras jurídicas às quais as empresas devem cumprir, como registro de dados de usuários e arquivamento de pelo menos 6 meses de mensagens e dados das conexões.</span></div>
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<span class="s1">Hackers e ativistas da privacidade e liberdade na rede, promovem uma estratégia de encontros off-line, as Hackatons (maratonas hacker) onde os usuários podem trocar informações usando papel e contato face à face humana. Um retorno, ainda que por motivações mais dramáticas hoje, à cultura da socialização em círculos das antigas cidades pré-tecnológicas.</span></div>
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<span class="s1">No capítulo seis que se vinga é a cidade. O circular dos afetos só é possível na ocupação direta dos espaços pelos corpos que não desejam apenas consumir objetos, mas também ideia, histórias e interações. Grandes marcas percebem que sem pontos de venda físicos, perdem oportunidades e não vêem alavancar lucros. Mais que isso, as lojas precisam atender às demandas humanas: a conversa entre amigos, a dica pessoal, o retorno e espaços de interação. Diferente dos algoritmos, pessoas apontam preferências e novos gostos. Quebram as “bolhas" , que “encaroçam"a rede. Essenciais para formação de público e visibilidade, pontos físicos criam oportunidades de negócios.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Os livros, especialmente, precisam estar a vista, precisamos vê-los e nos sentir cercados. Pequena livrariam retornam após prender o fôlego sob as ondas da Amazon que por sua vez sufocou as redes físicas, pois a cultura do livro sempre irá começar com o toque das páginas, a textura das capas, o cheiro da tinta no impresso recente e o grupo de crianças circundando um contador de história que leia de forma carinhosa os textos de Lobato no chão acarpetado de uma livraria perfumada. Rui Campos, um dos criadores da rede Travessa de livrarias nos relata: <i>Cultura, cultivo... a leitura precisa ser cultivada. Precisamos cultivar o desejo de conhecimento, o desejo de leitura. A grande ferramenta que possibilita a leitura é o livro, seja em que suporte for. Durante séculos, o impresso veio sendo cultuado, reverenciado, aprimorado, adornado com design espetacular, belas capas, papel leve e de tom confortável, orelhas inteligentes, rosto encantador. Um produto multissensorial. Seus autores tratados como estrelas, seus editores reverenciados. E seus locais de encontro com o leitor, as livrarias (físicas ou virtuais), locais frequentados e amados por toda gente. Verdadeiros pontos de encontro, praças, bibliotecas! Pois afinal, ali é possível manusear os livros, lê-los e até mesmo leva-los para casa por módicas quantias</i>. <i>Recentemente, surgiu o aparelho eletrônico para leitura. Trouxe uma série de alternativas e de facilidades para os leitores: capacidade de armazenamento, acesso rápido e remoto, entre outras. Bem-vindas novidades. Mas os donos do negócio tinham pressa. Uma pressa que se mostrou um tanto desconectada. Seria mais rápido destruir o que já havia. Varrer o concorrente do mapa. Acabar com o livro impresso.</i></span></div>
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<span class="s1">Previa-se o fim das livrarias e seus livros para 2015, e as editoras partiriam antes, em 2014. Pois autores iriam se publicar sozinhos e livros seriam compartilhados em nuvens no ambiente virtual.</span></div>
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<span class="s1">Mas o que ocorreu foi um rearranjo, com o livro eletrônico encontrando se nicho próprio, mas sem macular o gosto pelo livro como objeto multissensorial, da “ideia palpável”.</span></div>
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<span class="s1"><i>Um editor estrangeiro me confidenciou recentemente: “Concedi hoje uma entrevista para a Revista Wired que foi muito desagradável. Eles queriam saber sobre nossos planos para edições eletrônicas de livros de arte. Mas eu não tinha o que dizer pois abandonamos completamente esses projetos. Mas tive que dissimular e enrolar pois não poderia admiti-lo!”, </i>relata Rui Campos, que prossegue: <i>”Lembro-me especificamente da capa de uma das nossas principais revistas semanais onde Paulo Coelho, nosso maior best-seller, uma verdadeira lenda do mercado livreiro mundial, segurava um tablete com a seguinte manchete: “O último livro que você vai comprar!”</i></span></div>
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<span class="s1">Detroit morreu sob a dinâmica neoliberal, onde a mão de obra foi transferida para off-chores, e produto ganham mercado por critérios de preço. O capítulo que trata da vingança do <i>trabalho</i>, nos conta como a cidade fantasma prenuncia um futuro desagradável e desumanizado. A automação das linhas de produção afunilam as capacidades criativas que poderia advir diretamente das mãos dos trabalhadores comuns, desqualificando a mente trabalhadora. Mas a ousadia de um milionário que decide apostar na manufatura de qualidade, aponta para a geração de empregos para um mercado que demanda apego e exclusividade mais que preço e massificação. A concentração de renda e bens pelo neoliberalismo, afastando acda vez o mais o trabalhador comum do benefícios de sua produção tem limites. Na base, o trabalhador ainda é a peça chave de uma economia humanamente saudável, e é preciso requalificar as classes na base de produção.</span></div>
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<span class="s1">No oitavo trecho, o autor mostra como as tentativas de “digitalizar”o ensino reverteram em resultados desastrosos e da vingança da <i>escola</i>. De como a instrumentalização de um processo que é essencialmente humano, promovendo o afastamento do professor do protagonismo foi um erro promovido por tecnocratas oportunistas de olho nas receitas destinadas às escolas. Que a mídia digital não é a ideal para o aprendizado, nem mesmo se considerada por crianças já nascidas com uma tela de celular diante do rosto. Investir na infraestrutura e capacitação do professor, é e sempre será o ponto de coalizão para uma escola forte e significativa.</span></div>
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<span class="s1">No capítulo que fecha o livro, aprendemos como mesmo as empresas que lidam no digital, planejam analogamente as dinâmicas de reunião, planejamento, recarga criativa, com espaços de convivência e troca presencial, possibilitando assim a total interação. Um aplicativo que jamais sairá de moda: vida. O que nos leva enfim ao epílogo, junto com os campistas do Walden, camping de verão, apreciamos como é a vivência sem telefones celulares, <i>wi-fi</i>, ou outras distrações que interfiram na interatividade natural: pessoas e natureza selvagem. O contraste aqui nos convida a reavaliar nosso uso das tecnologias. Elas não valem por si só e não deveriam prejudicar as dinâmicas essenciais da convivência humana, mas antes, ajuda-las dentro de seus limites enquanto ambiente digital.</span></div>
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<span class="s1"><i>A desintegração da rede social, a derrocada das agências efetivas de ação coletiva, é recebida muitas vezes com a grande ansiedade e lamentada como "efeito colateral" não previsto da nova leveza e fluidez do poder cada vez mais móvel, escorregadio, evasivo e fugitivo. Mas a desintegração social é tanto uma condição quanto um resultado da nova técnica do poder, que tem como ferramentas principais o desengajamento e a arte da fuga. Para que o poder tenha liberdade de fluir, o mundo deve estar livre de cercas, barreiras, fronteira fortificadas e barricadas. Qualquer rede densa de laços sociais, e em particular uma que esteja territorialmente enraizada, é um obstáculo a ser eliminado. Os poderes globais se inclinam a desmantelar tais redes em proveito de sua contínua e crescente fluidez, principal fonte de sua força e garantia de sua invencibilidade. E são esse derrocar, a fragilidade, o quebradiço, o imediato dos laços e redes humanos que permitem que esses poderes operem.</i>(BAUMAN, 2000)</span></div>
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<span class="s1">Resgatados do uso das tecnologias como forma de ruptura e fragilização, recuperamos as redes puras de atores que nos alienam ao invés de fortalecer na união.</span></div>
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<span class="s1"><i>Free yourself to free us all.</i></span></div>
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<span class="s1"><b>Referências Bibliográficas</b></span></div>
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<span class="s1">SAX, David. <i>A Vingança dos Analógicos: por que objetos de verdade ainda são importantes</i>. 1ª edição. Rio de Janeiro. Selo Anfiteatro/Editora Rocco, 2017.</span></div>
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<span class="s1">BAUMAN, Zygmundt.<span class="Apple-converted-space"> </span><i>Modernidade Líquida</i> – Rio de Janeiro: Zahar, 2001.</span></div>
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<span class="s1">Acesso em 1 de janeiro de 2019, hospedado em: <a href="https://books.google.com.br/books/about/Modernidade_l%C3%ADquida.html?id=CbMd0xJoI18C&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false"><span class="s2">https://books.google.com.br/books/about/Modernidade_l%C3%ADquida.html?id=CbMd0xJoI18C&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false</span></a></span></div>
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<span class="s1">CAMPOS, Rui. <i>O fim do Livro</i>. Artigo do portal Publishnews de 19 / 07 / 2017.</span></div>
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<span class="s1">Acesso em 31/12/2018 no https://www.publishnews.com.br/materias/2017/07/19/o-fim-do-fim-do-livro</span></div>
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<span class="s1">LANIER, Jaron. “Ten arguments for deleting your social media accounts right now”. Apresentação de livro no canal de Youtube The Artificial Intelligence Channel. Publicado em 4 de ago de 2018. Visualizado em 1 de Janeiro de 2019. Hospedado em: <span class="s2"><a href="https://www.youtube.com/watch?v=BCTlcj5vImk">https://www.youtube.com/watch?v=BCTlcj5vImk</a></span></span></div>
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-21859110220558370142018-12-26T20:06:00.000-05:002018-12-26T20:06:31.396-05:00HQ Iemanjá<span style="font-family: Trebuchet MS, sans-serif;">Esta nasceu de uma memória descrita para mim por Valéria Barbosa (escritora, poema, compositora, liderança na Cidade de Deus). Aqui o processo de cor ainda sem o texto completo.</span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Conheci Valéria em 2016 durante meus trabalhos ajudando na produção do álbum de quadrinhos da FLUP em homenagem aos 50 anos da fundação da Cidade de Deus – Rio de Janeiro (CDD 50 anos).</span><br />
<span style="font-family: Trebuchet MS, sans-serif;">Valéria é uma amiga querida e mulher de imenso valor e criatividade. É dela obras importantes dentre estas o livro onde estão registradas as biografias das principais lideranças, talentos e fundadores da CDD.</span><br />
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-78554532578872502622018-12-24T18:59:00.005-05:002019-01-11T14:16:26.761-05:00O Palhacinho mais velho da Terra – The Oldest Little Clown on Earth<div class="separator" style="clear: both; text-align: center;">
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-65483461154331363532018-12-20T13:36:00.000-05:002018-12-20T13:36:21.422-05:00MESTRADO, meus amigos do!Reunião de final de ano e troca de livros na turma mais sensacional de mestrado que existe!<br />
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Resultado do duelo de retratistas!</div>
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Calvet fez a 360º!</div>
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Parecemos composição pra um quadro a óleo barroco.</div>
Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-65716813364299725662018-12-20T11:19:00.000-05:002018-12-20T11:20:24.858-05:00Ato Retrato – Self Portract<span style="font-family: "courier new" , "courier" , monospace;">Nosso evento de encerramento de atividades do Rio de Encontros de 2018!</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;">Minha performance ATO RETRATO, </span><span style="background-color: white; color: #1d2129; font-size: 14px; white-space: pre-wrap;">sua persona política em cores sobre papel.</span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">No dia 13 de novembro junto aos meus colegas de curso Rio de Encontros e vári@s quebradeir@s.</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL2P-BQnStLQBgUHE1Q8ir7Y0FszR8kPOJ_Cbsad5MRdWEeHSGv9pImRTthCV45QwVvoKCfKvo-T-_hJCQNSyp97GBsipQUXJpVTJGiHwr6aPerL3XhEpUTXrTzcOR7kVZz0qjoQ/s1600/47007585_438623026668733_80921186766159872_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL2P-BQnStLQBgUHE1Q8ir7Y0FszR8kPOJ_Cbsad5MRdWEeHSGv9pImRTthCV45QwVvoKCfKvo-T-_hJCQNSyp97GBsipQUXJpVTJGiHwr6aPerL3XhEpUTXrTzcOR7kVZz0qjoQ/s320/47007585_438623026668733_80921186766159872_n.jpg" width="180" /></a></div>
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-22434131306073074992018-12-20T11:08:00.002-05:002018-12-20T11:08:55.822-05:00Retrato Sambado – Samba Portrait<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Retrato Sambado é uma performance onde eu dialogo com você e retrato sua alegoria, sua persona canavalesca. </span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">É um bate-papo de criação em dupla, retratato é auto-retratante.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Fotos de Yolanda Soares, no MAR – Museu de Arte do Rio, durante a formatura 2018 da Universidade das Quebradas.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-79776480473347291152018-12-09T13:42:00.002-05:002018-12-09T14:12:57.340-05:00Curriculum / Biography <span style="color: #333333; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small; white-space: pre-wrap;">Thais Linhares - author.
Carioca, born in 1970 at Rio de Janeiro. Graduated from <a href="http://institutossenai.org.br/instituto/artes-graficas" target="_blank">Senai</a> (Technical School of Graphic Design) and National School of Fine Arts / UFRJ (graduated in arts). With a background in literature, education and human rights. Art teacher and with a master degree in communication (creative web content - still in course) at <a href="http://www.eco.ufrj.br/" target="_blank">ECO-UFRJ</a>. Was vice President of <a href="http://aeilij.org.br/" target="_blank">AEILIJ</a> - Association of Writers and Illustrators of Child and Young books Literature, deputy director of <a href="https://www.ddh.org.br/" target="_blank">DDH</a>, the Human Rights Defenders Institute and communicator in <a href="https://issuu.com/virusplanetario" target="_blank">Virus Magazine</a>. Recent Awards: <a href="https://www.livreirinha.com.br/single-post/2016/10/26/whiteravens2016" target="_blank">White Ravens 2016</a>, Highly Recommended and Best Production for Young <a href="https://www.accorhotels.com/fr/travel-guide/rio-de-janeiro/evenements-et-festivals/salon-fnlij-du-livre-jeunesse-e-111ahdg6686.shtml" target="_blank">FNLIJ</a> and Jabuti.</span></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Professional experience:</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Thais Linhares is a well know writer and illustrator for children books, also an passionate student of medieval art and its relations with the popular art of Brazilian story-tellers. She's been publishing her art since 1998. Having achieved some important prizes gave by the FNLIJ (Brazilian section of IBBY).</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Thais is an usual guest at the FNLIJ Saloon of Books for Children and Young Readers, the biggest of the kind in Brazil, usually make performances of illustrations and talk to children about that kind of art.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Worked as an background artist for the public TV at Multirio's animation series "<a href="https://www.youtube.com/watch?v=923nsj_V2Q4" target="_blank">Juro que V</a>i".</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">She writes for TV animation series "Quarto do Jobi", exihibited at the public TV. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As publisher she create the Ygarapé Books. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Her path as an human rights activist took her to work on streets recording popular protests, following up the development of social movements and taking the role of communicator at the DDH – Human Rights Defenders Institute, a totally independent office that works with victims of human rights violations.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2018 – Preta Porter: a gallery with the portraits of young children victims of police violence at the favelas</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2016 – FLUP comics</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2016 – White Ravens Catalogue</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2015 – Jabuti, best book for young readers (as illustrator)</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2015 – FNLIJ Best for Young Readers</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2013 – BIG Asia Content for Children Exposition</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2013 – SM's Diccionario de Ilustradores Iberoamericanos</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2005/2007 – BIB – http://www.bib-slovakia.sk/</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Many of her illustrated books was presented by the FNLIJ (Brazilian Section of IBBY) at the Bologna’s Children Books Fair, since 2001. And this years some of her works will be seen in Frankfurt Fair - 2013.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">2005 – At the FLIPinha, the part of FLIP dedicated to children books, in a exposition organized by the Brazilian Association of Writes and Illustrators of Children Books (AEI-LIJ), located in Paraty/RJ, Brazil. And many other international fairs, as guest, such as FLIPorto, in Olinda-PE.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJMx31V_FPyc1M-4PFbc4ogHmNVdBs2BjOqCa6SbNr3uCU8pkOS1w-gkTdIWebzouWhhg-pyYGYhYEgc7kytMEAsEBAESKDoovUFn32oODmSqvSzFvkpIXiasTLVO0ANeSU-OVhg/s1600/thais+baden+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="1600" height="163" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJMx31V_FPyc1M-4PFbc4ogHmNVdBs2BjOqCa6SbNr3uCU8pkOS1w-gkTdIWebzouWhhg-pyYGYhYEgc7kytMEAsEBAESKDoovUFn32oODmSqvSzFvkpIXiasTLVO0ANeSU-OVhg/s320/thais+baden+3.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">On stage, drawing the poet and the poetry on paper.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtu7aryur7jHGCPNfaIH9Smgqj7YcMkDEEkX0fNrzPGYjG7PMTr0VV1BaZhH0NUI-aDAJVE-LdVHAoR-tkNro8Ag4eXwAXvm3ETU7231kx6zJHVgJIrqFmVYH5O4XPrPqJGXXKjA/s1600/Thais+Gibizeira+LER+close.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1109" data-original-width="1113" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtu7aryur7jHGCPNfaIH9Smgqj7YcMkDEEkX0fNrzPGYjG7PMTr0VV1BaZhH0NUI-aDAJVE-LdVHAoR-tkNro8Ag4eXwAXvm3ETU7231kx6zJHVgJIrqFmVYH5O4XPrPqJGXXKjA/s320/Thais+Gibizeira+LER+close.jpg" width="320" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Selling book and comics at Gibizeira an LER - Book Fair at Rio Central Public Library.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6gi4QTuc4gkrK_fm378LdAhiH9Ayn-5qNOjSVhfgzuNyOILeo8uFUXPLZvDYnWvqkOdtD4W0IOJw4tePj0wSN1qIhAauR_nVZRAXyyeAn3c8rGMHc-BhU-BfNWRodbc_gX_NJwA/s1600/thais+itamonte2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6gi4QTuc4gkrK_fm378LdAhiH9Ayn-5qNOjSVhfgzuNyOILeo8uFUXPLZvDYnWvqkOdtD4W0IOJw4tePj0wSN1qIhAauR_nVZRAXyyeAn3c8rGMHc-BhU-BfNWRodbc_gX_NJwA/s320/thais+itamonte2.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Doing author presentation on a public school in Itamonte - MG state.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Q7gZu1i7p4FB-hBN7SGbzfB-2Yo-pwoWKO9QPekMOUP3gI4OfhuU1Wei9x84JobTQCkuHmvfrPMuPNVGJR3OZNNeIJ4IB3LDEh_XEH_Sbyti6HM3fBGB4mOGCbgmK98zch6DMg/s1600/thais+labic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="897" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Q7gZu1i7p4FB-hBN7SGbzfB-2Yo-pwoWKO9QPekMOUP3gI4OfhuU1Wei9x84JobTQCkuHmvfrPMuPNVGJR3OZNNeIJ4IB3LDEh_XEH_Sbyti6HM3fBGB4mOGCbgmK98zch6DMg/s320/thais+labic.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">A coworking project: LABIC.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwpHRclv4F2wCQfvaIeXjDIsIuL2Wx4Z4nQLgzkd6UpXVYBd_qHyv_kmWgZ6BKBRVP5teqGhANo1FigChWT0tB7X2fhlODSbKNY_IlzeYEXz5tpTNpjzYDg9GPwE9iu_8ERj8EQ/s1600/thais+lins.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="540" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwpHRclv4F2wCQfvaIeXjDIsIuL2Wx4Z4nQLgzkd6UpXVYBd_qHyv_kmWgZ6BKBRVP5teqGhANo1FigChWT0tB7X2fhlODSbKNY_IlzeYEXz5tpTNpjzYDg9GPwE9iu_8ERj8EQ/s320/thais+lins.jpg" width="180" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At Lins, a Rio de Janeiro's favela, drawing the stories of drug users.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM6Lvfjk9GccMhHisezpTooYM1BI9HRehi_YKDNBf8BRm2YG7bcRy5s0Zg0sirSbPNwLVhNM7eWzLYBbOs7UmupX-R_4aZ4bJCuPmT130k-vPXQu22-z4dDClrhdD-XbrzLwk-oQ/s1600/thais+luiza+sansao+uere+mare%25CC%2581.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="810" data-original-width="1080" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM6Lvfjk9GccMhHisezpTooYM1BI9HRehi_YKDNBf8BRm2YG7bcRy5s0Zg0sirSbPNwLVhNM7eWzLYBbOs7UmupX-R_4aZ4bJCuPmT130k-vPXQu22-z4dDClrhdD-XbrzLwk-oQ/s320/thais+luiza+sansao+uere+mare%25CC%2581.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At Maré, a Rio de Janeiro's favela, with jornalist Luiza Sansão for an interview with Ivonne Bezerra, from Uerê Project.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjv1D3HkAMrbak7uRhblvyZuwIvDDUx7Fr50YaTr8awpRHZx5D1pimbyupXP6SpLMTdu6SmRIPHInYlz0V62ZYGu_vLo2YWEeSKgUsNvi1r0wLXyeho0C_F2iMZcQTLzQ9gKgY7A/s1600/thais+mariza+borba.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="1000" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjv1D3HkAMrbak7uRhblvyZuwIvDDUx7Fr50YaTr8awpRHZx5D1pimbyupXP6SpLMTdu6SmRIPHInYlz0V62ZYGu_vLo2YWEeSKgUsNvi1r0wLXyeho0C_F2iMZcQTLzQ9gKgY7A/s320/thais+mariza+borba.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">With Marisa Borba from FNLIJ.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO07yqghzvMBVJbV4H-nQ0DUKB4GasmC7mqs9TCFJUr2Vexn-Z0PKcVJCsRBnzaA3fnhWL5VFi2QKIOvVup779Oyds0cQQehe-quFXrj2aM3CfNMYTgnrGrIxaih7p87HYtW9Vug/s1600/thais+occupied.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="539" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO07yqghzvMBVJbV4H-nQ0DUKB4GasmC7mqs9TCFJUr2Vexn-Z0PKcVJCsRBnzaA3fnhWL5VFi2QKIOvVup779Oyds0cQQehe-quFXrj2aM3CfNMYTgnrGrIxaih7p87HYtW9Vug/s320/thais+occupied.jpg" width="179" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Recording DDH's lawyer master class on human rights at an occupied school.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwcjn7YkaQlRopZ9TQLf7M3AWC67xaannteV4wXSPGzvUQkt_n2ZMoQJyKaMxYNgCYaAfVx0DC6F17yTy_09N_O2r5QeIvda0csXDMSMM5aq5NGqxapbLDsLGTJ9jOTI_TrUhHw/s1600/Thais+rocinha.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwcjn7YkaQlRopZ9TQLf7M3AWC67xaannteV4wXSPGzvUQkt_n2ZMoQJyKaMxYNgCYaAfVx0DC6F17yTy_09N_O2r5QeIvda0csXDMSMM5aq5NGqxapbLDsLGTJ9jOTI_TrUhHw/s320/Thais+rocinha.jpg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At Rocinha, a Rio de Janeiro's favela, in an activity to entertain the kids after a violent episode in the Children's Day Holliday.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At the crew of the Human Rights Festival.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At Vidigal, a Rio de Janeiro's Favela in the first day of FLUP Festival.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At Degase, a juvenile detention unit, to teach about literature.</span></div>
Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0tag:blogger.com,1999:blog-18773944.post-63183234685606107042018-12-09T12:16:00.002-05:002018-12-09T13:15:47.282-05:00AtoRetrato / SelfPortract<div class="separator" style="clear: both; text-align: center;">
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<div class="p1">
<span class="s1">Projeto<b> AtoRetrato</b></span></div>
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<span class="s1"><b>De </b>Thais Linhares</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"></span><br /></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Minha linguagem é visual,</b> porque bem cedo me foi vedada a palavra.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Cresci num lar silencioso, onde qualquer vibração da atmosfera seria punida com um relâmpago bem severo. Quando passei a andar pela cidade, percebi que havia muitas outras formas de silenciamento, inclusive nas imagens que retratavam meninas e mulheres como eu. Nas capas das revistas elas não tinham nenhuma voz. Eram corpos expostos para que outros julgassem e delas falassem.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Hoje sou ativista. </b>Circulo entre poetas, músicas, atrizes, professoras e advogadas, que formam um coral de vozes poderosas contra esse silenciamento. Aprendi a falar também, dona de minha boca, fui atriz e cantora de ópera, publiquei livros como escritora e poeta. Mas é na imagem que me sinto segura e afinada.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Enfeitiçada pela beleza destas vozes poéticas eu passei a desenha-las em quadrinhos, em retratos instantâneos, em Ato Retratos.</span></div>
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<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1">A dinâmica deste projeto consiste em <b>criar retratos políticos</b> das poetas, músicas, e contadoras de memórias da cidade. A partir daí criar postais poéticos, quadrinhos ativistas e até murais que falem pela cor e linhas. A oralidade é feminina, nossas vozes jamais deveriam ser silenciadas.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1">Ali registro visualmente as memórias e esperanças das mulheres das casas, das ruas, dos palcos. Mesclando palavra, som e cor, <i>sinestesicamente</i>, de meninas, mães, irmãs, avós, mulheres em todas suas formas e trans-formas. Ato em retratos dos territórios através das vozes de suas mulheres.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Como é feito</b></span></div>
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<span class="s1">Através da conversa com voluntárias, e também através do registro visual das performances de artistas de rua e palco, traço retratos destas pessoas interferindo com elementos visuais que traduzam suas vivências e esperanças. Nas conversas eu estimulo revelações das memórias, medos, buscas e esperanças das entrevistadas.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">No registro de performances eu apenas escuto e vejo, e registro.</span></div>
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<span class="s1">Parte do trabalho é feito no local, no decorrer da conversa ou performance. Parte é completada posteriormente de forma solitária a partir das impressões que colhi.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Resultado</b></span></div>
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<span class="s1">Uma galeria de retratos das participantes é construída revelando suas visões do tempo e território onde vivem, como se deixaram afetar pelo entorno e como pretendem transformar seu mundo. Um painel memorial e político a partir do ponto de vista feminino da vida.</span></div>
<div class="p1">
<span class="s1">Alguns dos relatos serão transformados em narrativas visuais: histórias em quadrinhos de uma a quatro páginas. O formato base será o papel A4 de boa densidade, trabalhados em técnica mista.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Material</b></span></div>
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<span class="s1">Papeis, tintas, lápis… materiais diversos de desenho em papel.</span></div>
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<span class="s1">Um cavalete ou prancheta.<span class="Apple-converted-space"> </span></span></div>
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<span class="s1">Tubos de tinta spray (para murais, se requisitados).</span></div>
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<span class="s1">Todos de custo baixo e facilmente encontrados em papelarias e lojas de arte.</span></div>
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<span class="s1"><b>ENGLISH</b></span></div>
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<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1"><b>Self Portracts</b> / Ato Retrato <b>Project</b></span></div>
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<span class="s1">From <b>Thais Linhares</b></span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"></span><br /></div>
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<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1">My language is visual, because the word was forbidden to me at a very young age.</span></div>
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<span class="s1">I grew up in a quiet home, where any vibration on the atmosphere would be punished with a very severe response. As I've grown up and start walking through the city, I realized that there were many other forms of silencing, including in the pictures depicting girls and women like me. On the covers of those magazines they had no voice. They were exposed bodies for others to judge and speak.</span></div>
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<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1">I'm an activist today. I walk between poets, musicians, actresses, teachers and lawyers, together we form a chorus of powerful voices against this silencing. I learned to speak too, owner of my own mouth, I was an actress and an opera singer, I published books as a writer and poet. But it is in the graphic design that I feel safe and attuned.</span></div>
<div class="p1">
<span class="s1">Bewitched by the beauty of these poetic voices I began to draw them in comics, in instant portraits, in portraits that are political acts, the <b><i>Self Portracts.</i></b></span></div>
<div class="p2">
<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1">The dynamic of this project is to create political portraits of the poets, musicians, and accountants of the city's memories. Draw from those stories the material to create poetic postcards, comic strips and even murals that speak with a voice of colors and lines. Orality is a feminine domain, our voices should never be silenced.<span class="Apple-converted-space"> </span></span></div>
<div class="p2">
<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1">The aim is to visually record the memories and hopes of the women living on the houses, wandering in the streets, performing on the stages. Merging word, sound and color, <i>synestesically</i>, from girls, mothers, sisters, grandmothers, women in all their forms and trans-forms. Politically acting on colorful portraits of those territories through the voices of their women.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>How is done</b></span></div>
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<span class="s1">Through the dialogue with volunteers, and also through the visual record of the performances on street and on stage, I trace portraits of these people, interfering with visual elements that translate their experiences and hopes. In the conversations I stimulate revelations of the interviewees' memories, fears, pursuits, and hopes.</span></div>
<div class="p1">
<span class="s1">When portraying of the performances I just listen and see, and the record the informations on the surface of the drawing board.</span></div>
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<span class="s1">Some of the creative work is done on the spot, in the course of the conversation or performance. Part is solved afterwards from the impressions I have collected.</span></div>
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<span class="s1"></span><br /></div>
<div class="p1">
<span class="s1"><b>The Results</b></span></div>
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<span class="s1">A gallery of portraits of the participants is constructed revealing their visions of the time and territory in which they live, how they let themselves be affected by the surroundings and how they intend to transform their world. A memorial and political panel from the feminine point of view of life.</span></div>
<div class="p1">
<span class="s1">Some of the stories will also be transformed into visual narratives: comics from one to four pages. The base format will be A4 paper of good density, worked in mixed media. But other shapes and materials may be explored during the course of the residence.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1"><b>Working Material</b></span></div>
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<span class="s1">Papers, watercolors, pencils… various paper-drawing materials.</span></div>
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<span class="s1">An easel or drawing board.</span></div>
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<span class="s1">Spray paint tubes (for murals, if required).</span></div>
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<span class="s1">All low cost material and easily to found at the art supplies shop.</span><br />
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<br />Thais Linhareshttp://www.blogger.com/profile/06937882587461332140noreply@blogger.com0